The (first) decks have arrived!!!

If you haven’t seen me Kermit flailing all over social media already — our expedited set of pattern decks have arrived!

a photo of a pattern deck in its box, showing Emiko Ogasawara's back design of a spindle, shuttle, and shears joined by violet threads and ribbons

a photo of the pattern cards spread out so you can see Hundred Lanterns Rise, The Face of Stars, and Turtle in Her Shell

The bulk of our order is coming by sea mail, so they won’t be here until late July at the earliest. But we wanted to have some to show off at BayCon, where we will be among the Guests of Honor next weekend! If you’re a Kickstarter backer who ordered a non-gilt-edged deck, let us know and we can probably hand-deliver yours to you at the con.

They are so pretty, y’all. I was nervous because we’ve never produced a deck before, so many elements of the process were new to us, which always introduces the chance to misunderstand and screw something up. But no: they look exactly as gorgeous as we’d hoped, and super professional. This is absolutely a deck we can be proud of. And if you want one but missed out on the Kickstarter, we’re still selling them on BackerKit!

Back to petting my deck and trying not to behave too much like Gollum . . .

BayCon is coming up!

We are just two weeks out from our joint stint as one of the Guests of Honor at BayCon in the San Francisco Bay Area! And according to the shipping update we just received, we should have <drumroll> a few sample pattern decks to show off at the con! The rest are coming by sea mail, which is much slower, but we made a tiny splurge to have a small number expedited to us.

We hope to see you there!

Research reading: La Valencia del XVII, Pablo Cisneros

Last year I stopped posting to my personal blog about what I’d been reading because it abruptly became All Research, All the Time for The Sea Beyond, and I couldn’t talk yet about what Alyc and I were working on. Then I could talk about it, but it didn’t make good fodder for the usual “here’s what I’ve been reading” posts, and I didn’t have the time or energy to work through the backlog to do the kinds of individualized book reports I did back in my Onyx Court days.

But this book gets a report, because this is the first time I’ve read an entire book in a language other than English.

Mind you, I wouldn’t give myself full, unadulterated credit. I did rely on Google Lens to check my comprehension of each paragraph after I’d read it, or to assist with sentences I couldn’t quite make sense of. (Some of which I did in fact read correctly the first time, but what they said was so unexpected, I needed verification.) Machine translation also helped a great deal with the quotations of undiluted seventeenth-century Spanish — though after a while I got better at coping with “hazer” and “dexar” and “avía” and “buelta” — and I flat-out needed it for the untranslated Catalan, from which I can pluck out at most fifty percent of the words via cognates.

Still and all, I read this book. On the basis of three years of Spanish classes from ages thirteen to fifteen, a reading comprehension test in graduate school that I passed with an assist from four years of Latin + watching a bunch of familiar movies with their Spanish subtitles running, and a headfirst dive into a Spanish practice app when this series got officially greenlit. I am stupidly proud of myself for doing as well as I did.

And I’m glad I attempted it! In the grand scheme of things, Cisneros is no Liza Picard; he quotes abundantly from the writings of period travelers and Valencian observers, but he doesn’t seem to have gone digging deeply into other kinds of sources or context that might have fleshed out his description in greater detail. It’s all fine and well to tell me what kinds of development was done around the Palacio Real, but I had to look elsewhere to verify my guess that, in the usual absence of the monarch, that was the residence of the viceroy instead. Cisneros is very obviously writing to an audience of fellow Valencians — there’s a constant evocation of “our city” and “our ancestors” — and his goal is mostly to glorify things about the city that date back to the seventeenth century and to describe things that are no longer there. He does acknowledge some of the less-attractive parts, like the rather dingy houses occupied by non-elites or the truly massive amount of interpersonal violence, but he’s not trying to fully explore daily life back then.

Beggars can’t be choosers, though. There’s an astonishing paucity of books in English about daily life in Golden Age Spain — as in, I’ve found a grand total of two, plus one about sailing with the New World treasure fleets — and even in Spanish, it’s hard to find works that focus on Valencia, which is where a significant part of the story will be set. But for every bit where Cisneros goes into stultifying detail on the Baroque renovations of individual churches (almost all of them late enough to be irrelevant to our series), there’s another bit where he tells me exactly which parts of the river embankment will be under construction when our protagonist arrives there, or how Valencians were required to water the streets in the summer to cool off the city and reduce disease, or what now-vanished traditions represent what they did for fun. (At Carneval, they pelted each other with orange skins filled with such delightful stuffings as bran, fat, and the must left over from wine-making. Apparently injuries were not uncommon: he quotes a poem whose title more or less translates to “From a gentleman to the lady who put his eye out with an orange.”)

So this gave me a decent amount of very useful concrete detail that will help Valencia feel like Valencia, not Generic Early Modern European City. It may have taken me weeks to read its 228 pages, because I could only manage about ten pages a day before my brain shorted out and stopped processing any Spanish at all, but in the long run, it was worth it!

Rook and Rose gets a special edition!

The news finally became public today: The Broken Binding, a UK-based special edition publisher, will be putting out an illustrated hardcover edition of the entire Rook and Rose trilogy! New cover art, colored endpaper art, and black-and-white images throughout, with foil on the hard case, the whole shebang. Alyc and I are incredibly excited, and also we signed our names 4,725 in the last month, on tip-in sheets to be bound with the books.

Now, if you’re not already a Broken Binding subscriber, it’s still possible to get a copy . . . but I have to warn you, it’ll be a little bit complicated. Numbers are capped, and according to what I’ve been told, becoming a Tier 2 subscriber (for non-signed books) has a waiting list months long — well after these will have come out, which will be in the first three months of the upcoming year. As for Tier 1 (signed books), the requirement for that is that you already be a Tier 2 subscriber.

But! First of all, The Broken Binding will be selling overstock at some point in the future, after the subscriptions have been fulfilled. According to their social media, that’s likely to be some time in the second half of 2025. Or if you don’t want to wait/don’t want to risk missing your chance, there are always subscribers who decide to resell their copies at or near cost. The Broken Binding’s Facebook group is the hub for arranging these deals . . . though apparently they had some big problems with scammers a while ago, so you have to be invited to join the group now. If you want to go that route, let me know, and I should be able to put you in touch with someone who can invite you.

So yes, that’s a bit of a hassle. But you can check out their Bluesky post to see a preview of the art — no Labyrinth’s Heart there only because that hasn’t yet been finished! The Broken Binding regularly produces lovely, durable books, so if you want a special copy, this is absolutely the time to do it.

The post Rook and Rose gets a special edition! appeared first on Swan Tower.

This post originally appeared on SwanTower.com.

M.A. Carrick rides again!

We are incredibly pleased to announce that, having not murdered each other over our first collaboration, we are venturing forth again with a new series: The Sea Beyond, a historical fantasy duology of scholarship, conquest, and faerie magic!

*

A black-and-white icon showing a ship sailing between two tall cliffs. Above are the stars, and below are lines in the water that might be tentacles . . .

In an alternate Spanish Golden Age, where the map becomes the territory and mapmakers are the architects of reality, the Council of the Sea Beyond has risen to unrivaled power, exploiting the world’s most precious resources for their own gain.

Determined to discover how cosmographers pin down the islands of the Otherworld, Estevan seeks power with the Council of the Sea Beyond – but he risks the exposure of his own secrets, too. For he is a changeling, a faerie masquerading as a mortal. And for a faerie to enter the mortal world like that, a child must go the other way . . .

The Hungry Girl, the nameless human daughter whose place he took, has grown up opposite her “brother.” Lost among the fae and desperate to find some purpose for her existence, she leaps at the chance to help a group of Spanish explorers in the Sea Beyond . . . only to be horrified at the atrocities they commit.

Soon the unlikely siblings will need to overcome their rivalry — because only together can they bring down Spain’s worlds-spanning empire and save the homes they have come to love.

*

We are hard at work on the first book as we speak (type), and it should see publication in 2026, with the second book following the year after that. But don’t worry — now that we’re in the clear to talk about this, we’ll update periodically with looks behind the scenes at our research and more!

Behold: the Rook and Rose wiki!

A world as complex as the setting for the Rook and Rose trilogy contains a lot of information — and when there are two authors involved, you can’t just assume everybody will remember everything the same. That’s why Alyc and I got my husband to set up a private wiki for us, where we could keep track of the details.

It grew to be . . . rather comprehensive, let’s say. (As in, 190K words, which makes it essentially the fourth book of the series — and longer than any non-Rook and Rose novel I’ve ever written.) With all that effort put into documentation, it seemed a pity to not to let others see it.

Which is why, courtesy of help from the excellent folks at wiki.gg, the wiki is now publicly available and open to editing! At the moment it’s almost identical to the private version; we removed only one detail we might want to save for a later reveal, and then added some pictures to gussy it up. But since anybody can edit it now, you’re free to add details we may have missed. Regardless, we hope you enjoy browsing it, and finding all the tidbits we know but never worked into the books!

Awards 2023 Eligbility Post

Remembering what came out when, and which category it falls into, can be hard even for the people involved in writing, so we’ve compiled this list of award-eligible works from the past year for the upcoming season. The biggest one is obviously the completion of the Rook & Rose trilogy, but we think there’s a lot of great short and medium-length fiction as well.

As M.A. Carrick (pseudonym for Marie Brennan and Alyc Helms)

Eligible Series

Eligible Novels

 

As Marie Brennan (solo)

Eligible Novels

Eligible Novelettes

  • “Pearl’s Price” (writing solo as M.A. Carrick)— When Swords Fall Silent, ed. Bryce O’Connor, March 2023 (anthology; requires purchase)
  • “The Naming of Knots” (writing solo as M.A. Carrick) — Beneath Ceaseless Skies #388, August 2023

Eligible Short fiction, flash, poetry

Short fiction

Flash

Poetry

Hugo nominations chance ending soon!

The recent news about extreme hinkiness in last year’s Hugo Awards (works ruled ineligible without the authors being notified or any reason given; questionable voting numbers; attendees’ voting rights reportedly being reassigned to the convention committee) is deeply disturbing — me, I’m in favor of a Retro Hugo for 2023 in an upcoming year, since we already have that structure in place — but for this upcoming year, the more people who get involved, the better! If you want to nominate, you have until tomorrow to get at least a supporting membership to the Glasgow Worldcon — you don’t have to be planning to attend in person to get involved.

(There are technical difficulties right now with the nominations form, which they are trying to fix, but you can still register.)

I posted about my 2023 publications back in December, but it’s rather a long list this time. If you pointed a knife at me and demanded I choose my favorites, I’d give it to “At the Heart of Each Pearl Lies a Grain of Sand” (which is unfortunately paywalled, but SMT is great and you should subscribe to it!) and the Rook and Rose trilogy in toto, now that it’s finished up with Labyrinth’s Heart being published last year. I genuinely think it’s one of the best series I’ve (co-)written: Alyc and I had a much more complete plan than usual going into it, which meant we were able to play all kinds of long games across the three books, from seeding tiny worldbuilding details that would be load-bearing later, to pacing the arcs of the characters and their relationships, to braiding many strands of plot together into a complex rope. I think it repays re-reading more than anything else I’ve written, in terms of being able to say ohhhhh, waitasec, I see where that’s going now — — which is not the only way for a series to be good, but it’s certainly one of them!

So yes, register by tomorrow if you want to nominate, whether that’s something of mine or anything else you enjoyed from 2023!

The post Hugo nominations chance ending soon! appeared first on Swan Tower.

This post originally appeared on SwanTower.com.

holy #$&!, we did it

The Rook and Rose pattern deck Kickstarter was a complete success. As in, we unlocked every single stretch goal, and raised nearly $3000 beyond the top one — a wonderful margin of safety against things like shipping costs increasing between now and when we deliver the decks.

Not gonna lie: before we launched this project, I was significantly worried that it would fail. I’ve run a successful Kickstarter before, but the goal for that one was a full order of magnitude smaller than this. $31,500 is a lot of money, and while I had no doubts about the loyalty of our fans, I had the very strong feeling we’d need to reach well beyond that circle to pull this off. All throughout July we were searching for ways to build up our pre-launch followers, and then I surrendered the entire month of August to nothing but Kickstarter and book promotion work: I told myself I would expect no fiction writing or revision out of myself in that time, and indeed, it was only by herculean effort that I managed to muster enough brain to spend one afternoon polishing a moderately time-sensitive thing. The rest of my time and energy was spent on answering backer questions, sending out updates, doing interviews and podcasts and AMAs, flitting between social media accounts on different networks, and mustering the chutzpah to ask friends point-blank to promote the campaign.

Thank you so much to everyone who helped with that. It is genuinely the case that we could not have succeeded, let alone this well, without the support of others. Alyc and I have wanted this deck to be a real thing for the past five years; now it will be. And we will never stop being grateful for that fact.

The post holy #$&!, we did it appeared first on Swan Tower.

This post originally appeared on SwanTower.com.