Sarah Rees Brennan (no relation) once said on Twitter that “the second book of a trilogy is for kissing.” Taken in the broader sense of character relationships, not just romantic ones, I think this is very true.
See, the first book of a series has to do a lot of heavy lifting, in terms of setting up the material of the story. It has to introduce characters and setting and conflict, and while it builds relationships, too, there’s only so much room to play around with those. Whereas in the second book, you’ve got a lot of your foundation in place, and now you’re free to dance on it. You can take the existing relationships and complicate them, give them more depth, test them or turn them upside down and shake them to see what falls out.
As you may have guessed based on me bringing this up, that’s a fair bit of what Chapter Four is doing here. Our first scene takes an existing relationship and sticks it into a wildly different context, adding in another character to fuel some interesting interactions over there. Our second and third (which are linked) show you that from another angle, and weave a minor character back into story in ways that show they aren’t as minor as you may have thought. Our fourth takes two people who previously haven’t spoken and puts them together for the first time, with hilarious results. And our fifth goes back to another existing relationship and moves it closer to center stage.
Of course all of this is doing plot work, too. As much as we joke about the eight million fanfics one could write about these characters, ultimately we can’t just coast along writing relationship fluff; there have to be more layers. (If there weren’t, it would take approximately three times as many words to convey all the substance we want to pack into this book. And it ain’t a short book to begin with.) In fact, right now we’re dissatisfied with the last scene of the chapter, because it isn’t quite doing the plot work it needs to — it’s trying, but we never quite fell into the right rhythm. So we’ll fix it later; in the meanwhile, it’s full steam ahead on Chapter 5.
Which will also be the end of Part One. Yes, we have Fun Things planned. ?
Word count: ~28,000
Authorial sadism: SHOE’S ON THE OTHER FOOT NOW, HOW D’YA LIKE THAT. Actually, multiple shoes on multiple other feet. This is a chapter full of people getting to find out what it’s like to be the other guy.
Authorial amusement: The first appearance of Y– on the scene. Also, someone missing their mark by two inches.
BLR quotient: Love takes the lead! At least in the sense that “love” = “relationships” in this particular system. But in some more conventional senses, too — eventually.